Church Goin Mule | Southern Outsider Art
Artist Statement
The southern past is what it is. Everyone has their own grasp on history, some more tenuous that others. Some are plainly wrong, some aren't quite right. Sharecropper, plantation owner, slave, blues singer, commissary man, wash woman, poor man, drunk. These paintings explore the southern past as the artist learns more about it, through the eyes of the blues, through men like black Alabama communist born-again Ned Cobb, hoodoo lady and folklorist Zora Neale Hurston, and from the ever-mystery of personal ancestry. Regardless of so many things, mules are steady-standing ready, ripe for metaphor. They were always there. Plow mules was town trotting mules, too. They built the levees, carried the cotton and the timber, and pulled boats up river. They can't reproduce, but they still seem to live forever, quiet and worthless once the tractor and the car took over. The mule is a small, forgotten part of history always begging, 'what else are y'all missin? What else y'all left behind? What else can I tell you about your future?'